[PL] The exhibition focuses on moments when Yayoi Kusama first worked in particular idioms - how would you describe her constant evolution? what was the reason for so many radical shifts?
Conversations with Jullian Stallabrass on YBA and with the curator Anne Galagher on Damian Hirst exhibition in Tate Modern
On Young British Art in conversation with Julian Stallabrass
Agata Mazur: For the cover of your book "High Art Lite. The Rise and Fall of Young British Art" you selected Lego versions of art works by members of YBA created by the duet The Little Artists, including Hirst's shark featured on the front cover. How does it relate to your book's intentions?
Julian Stallabrass: The book has had various covers in its different editions.
Interview with Cecilia Widenheim, chief curator of the Swedish and Nordic art collection, and Ann-Sofi Noring, co-director of the Moderna Museet in Stockholm and Malmö
Zofia Chojnacka: Moderna Museet has one of the world's finest collections of 20th and 21st century art. The Swedish and Nordic section of the collection of sculptures, paintings, and installations now comprises some 3,700 works, of which some 350 are from neighbouring Nordic countries. What can we learn about the international section of the collection?
Underappreciated for many years and treated as a mere provocateur, Christoph Schlingensief was, above all, a radical educator. A review of films by this German director and artist, who died in 2010, highlights how even his older films remain outstandingly current.
Artist as production agent
Morning of 31 August 1997: Hybrid WorkSpace at Documenta X in Kassel. The second part of Christoph Schlingensief's Mein Filz, mein Fett, mein Hase - 48 Stunden überleben für Deutschland is set to begin, when the director learns via internet of the death of Princess Diana and her partner in an automobile accident.
Debate on provocation and scandal in contemporary art held on the 19th November 2011 at the CCA Ujazdowski Castle, featuring Martin Schibli (curator at Kalmar konstmuseum), Oscar Germouche, Kaia Pawełek, Kamila Wielebska, Zuzanna Janin. Moderator: Agnieszka Rayzacher. The audience profited abundantly from the occasion to exchange opinions. The discussion took place one day after the opening of the exhibition of young artists from Sweden ("Cool Water"; curator: Martin Schibli, artists: Oscar Guermouche, Elin Magnusson, NUG, Anna Odell; lokal_30, 18.11.2011 - 13.01.2012)
What I like most about your book is that it works just like GPS - you show what the options to achieve certain goal are, which in this case is creating art collection, without giving ready solutions or even suggestions. Instead readers receive a huge list of issues to consider before choosing the way.
That was a very conscious decision. I of course mentioned some artists and galleries, but I wanted the guide to be something that you can use how and where ever you want. You could be in a small town or massive metropolis and you would have the tools to discover art that you love in your own way, to make your collection exactly as you want it to be.
Roee Rosen talks with Kamila Wielebska about Surrealism and Justine Frank (1900-1943), a Belgian Jewish artist present in his oeuvre.
According to Professor Anne Kastorp of Brown College in East Orange, New Jersey, Frank is descendent of the mystic Jacob Frank who lived in 18th century and was a bizzare and controversial person. This is interesting for me because in my opinion Jacob Frank was a typical Roccoco personality. And I think about Roccoco as a kind of origin of Surrealism. So it's quite amazing because you are doing actually very similar thing, you found a Roccoco ancestor for a surrealist. What do you think about it?